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Being perfectionist

Writer: Farzaneh yassini
Farzaneh yassini
Aug 31
4 min read

Do I Need to Be Perfect Before I Make or Show My Art?

One of the easiest ways to stop making art is to wait until you feel ready.

Ready enough.

Skilled enough.

Original enough.

Confident enough.

Perfect enough.

The problem is that “perfect enough” has a habit of moving farther away every time we get close to it.

The truth is simple:

You do not need to be perfect before you make art. And you do not need to be perfect before you show it.

Art Is Not a Final Exam

When we look at another artist’s finished work, we usually see the result.

We do not see the abandoned canvases.

The awkward experiments.

The colors that did not work.

The pieces they painted over.

The years they spent finding their voice.

Because of that, it is easy to compare our beginning, middle, or messy experimental stage with someone else’s polished final result.

But art is not a test you have to pass before you are allowed to call yourself an artist.

Making art is how you learn to make art.

You cannot wait until after you become good to begin.

You become better by beginning.

Perfection Can Become a Very Beautiful Excuse

Perfectionism often sounds responsible.

“I just want it to be right.”

“I need a little more practice.”

“I’ll show my work when I improve.”

“I’m not ready yet.”

Sometimes those thoughts are reasonable.

But sometimes perfection is simply fear wearing very nice clothes.

Fear of criticism.

Fear that someone will not understand the work.

Fear that another artist is better.

Fear that the piece will not sell.

Fear that after putting something personal into the world, somebody may simply scroll past it.

So we keep adjusting.

And adjusting.

And adjusting.

Until eventually we stop creating altogether.

Your Early Work Is Supposed to Look Like Early Work

This is something I wish more artists gave themselves permission to accept.

Not every piece you create has to represent the best work you will ever make.

Some pieces are experiments.

Some teach you about color.

Some teach you about composition.

Some teach you what not to do.

Some lead to an idea that becomes something wonderful six months later.

And sometimes a piece you consider imperfect is exactly the one another person connects with.

Artists often notice every little thing they wish they had done differently.

The viewer sees the whole feeling.

Those are not always the same experience.

Showing Your Work Is Part of Becoming an Artist

Sharing art can feel surprisingly vulnerable.

A painting may contain hours of work, but it can also contain memory, identity, emotion, culture, frustration, hope, or something we cannot completely explain.

When we show it, we are revealing a little part of ourselves.

That can be uncomfortable.

But showing your work is also how you learn what happens when art leaves the studio.

People react.

They ask questions.

They notice details you barely thought about.

They may connect with a piece for reasons completely different from your own.

That conversation between artist and viewer becomes part of the life of the artwork.

If we hide everything until we believe it is perfect, we miss that experience.

Progress Is More Interesting Than Perfection

Look at the work of almost any artist over many years and you will see change.

Techniques become stronger.

Colors change.

Subjects evolve.

Confidence grows.

Ideas become clearer.

Sometimes the artist completely changes direction.

That evolution is not something to hide.

It is the story.

There is something wonderful about being able to look back at a piece and think:

“I would make this differently today.”

That does not make the earlier work meaningless.

It proves you grew.

But Does That Mean I Should Show Everything?

No.

Creating without perfection does not mean every experiment has to be exhibited, posted, or sold.

Artists can still curate their work.

You can decide:

This one was practice.

This one taught me something.

This one needs more time.

And this one feels ready to leave the studio.

The goal is not to eliminate standards.

It is to stop confusing having standards with demanding perfection.

Those are very different things.

What If People Judge My Work?

Some will.

That comes with showing almost anything publicly.

Art is subjective.

One person may love a piece that another person walks past.

One person may respond to the colors.

Another to the story.

Another to the technique.

And another person may feel nothing at all.

That does not automatically tell you whether the artwork is good or bad.

Not every piece is meant for every person.

The more important question is:

Does the work say something that feels true to you?

If the answer is yes, it deserves the chance to exist.

Art Needs Courage More Than Perfection

Technique matters.

Practice matters.

Learning matters.

Craftsmanship matters.

But none of those things require perfection.

Art also requires curiosity.

Experimentation.

Mistakes.

Risk.

And the willingness to make something before you know exactly how it will turn out.

Sometimes the most interesting piece begins with:

“I wonder what happens if I try this?”

That sentence has probably created more art than “I know exactly what I’m doing.”

Something I Have Learned Through My Own Work

In my own creative process, I have had pieces that changed direction completely.

I have covered areas I originally loved.

I have added texture, removed it, changed colors, tried materials that worked beautifully, and tried others that absolutely did not.

And sometimes the piece I imagined in the beginning is not the piece that eventually appears.

I have learned that the process itself has value.

Every experiment teaches something.

Every imperfect piece contributes to the next one.

And every time we allow ourselves to create without demanding certainty, we make a little more room for our own artistic voice to appear.

Make the Art Anyway

So if you are waiting for permission to begin, here it is.

Paint before you feel like a painter.

Draw before you believe you can draw.

Experiment before you know what you are doing.

Show something before you feel completely fearless.

You are allowed to be learning.

You are allowed to change.

You are allowed to make something imperfect.

You are even allowed to look at a piece years later and laugh at what you would do differently now.

Because the goal was never to arrive at perfection.

The goal was to keep creating.

And sometimes the piece that changes everything begins with a very imperfect first mark.

Make the art. Let yourself grow. Perfection can catch up later.


 
 
 

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